Carla Lonzi och krisens kritik 1969-1970
Publikation: Bidrag til tidsskrift › Tidsskriftartikel › Forskning › fagfællebedømt
Standard
Carla Lonzi och krisens kritik 1969-1970. / Sandström, Frida.
I: K&K - Kultur og Klasse, Bind 52, Nr. 137, 2024, s. 55–86.Publikation: Bidrag til tidsskrift › Tidsskriftartikel › Forskning › fagfællebedømt
Harvard
APA
Vancouver
Author
Bibtex
}
RIS
TY - JOUR
T1 - Carla Lonzi och krisens kritik 1969-1970
AU - Sandström, Frida
PY - 2024
Y1 - 2024
N2 - Departing from the Italian critic, art historian, and feminist Carla Lonzi’s essay ”La critica è potere” (Critique is power) from 1970, this article discusses a crisis immanent to the concepts of art and history that dominated the late 1960s Italy. In line with Lonzi’s argumentation, this crisis resulted in what the communist Massimo Cacciari described as ”negative thinking” in 1969, and what Lonzi in her essay describes as a ”critique of the crisis”. Beyond a universal consciousness and its presupposed identities, as they were reproduced within the party form and at academic institutions during this period, artists, workers, and intellectuals turned away from formal organization, and to informal, collective practices. The separatist, decentralized and anti-authoritarian network Rivolta Femminile, founded by Lonzi in 1970, show how the subjects of crisis and critique emerge from a patriarchal and colonial regime of sexual repression.
AB - Departing from the Italian critic, art historian, and feminist Carla Lonzi’s essay ”La critica è potere” (Critique is power) from 1970, this article discusses a crisis immanent to the concepts of art and history that dominated the late 1960s Italy. In line with Lonzi’s argumentation, this crisis resulted in what the communist Massimo Cacciari described as ”negative thinking” in 1969, and what Lonzi in her essay describes as a ”critique of the crisis”. Beyond a universal consciousness and its presupposed identities, as they were reproduced within the party form and at academic institutions during this period, artists, workers, and intellectuals turned away from formal organization, and to informal, collective practices. The separatist, decentralized and anti-authoritarian network Rivolta Femminile, founded by Lonzi in 1970, show how the subjects of crisis and critique emerge from a patriarchal and colonial regime of sexual repression.
U2 - 10.7146/kok.v52i137.145764
DO - 10.7146/kok.v52i137.145764
M3 - Tidsskriftartikel
VL - 52
SP - 55
EP - 86
JO - K&K - Kultur og Klasse
JF - K&K - Kultur og Klasse
IS - 137
ER -
ID: 393641592